Drawing in books and diaries was my way to make the narrative complete. I perceived visuals as an inseparable part of a story.
Today, using book pages, textual archives and diaries, I create visual literature, by building text layers that merge with main image and reflect the fragmented histories, memories, and experiences that shape identity.
My compositions and installations are born at the intersection of literature and art. Just like literature, they tell stories about the journey of the evolution of consciousness. They capture the chronotope of the moment, a turning point when our perception shifts and a new understanding emerges.
Red threads show complex interconnection between humans and the surrounding world.
Each work becomes a fragment of a larger narrative, like a page from an ongoing book of existence.
